Showing posts with label flower portraits. Show all posts
Showing posts with label flower portraits. Show all posts

Wednesday, 1 June 2016

Observer

A sundrop moves across a magnolia flower.
"I watch how other things travel
to get an idea how I might move.
A cloud sweeps by silently,
gathering other clouds.
A doodlebug curls in his effort to get there.
A horse snorts before stepping forward.
A caterpillar inches across the kitchen floor.
When I carry him outside on a leaf,
I imagine someone doing that to me.
Would I scream?
In the heart of the day
nothing moves.
No one is going anywhere
or coming back.
The blue glass on the table
lets light pass through.
Something shines
but nothing moves.
I watch that too."

– "Observer" by Naomi Shihab Nye.


Monday, 4 May 2015

April: Say it with flowers

 Late April and the city is like a young person in love...

From Top: Bradford Pear (more lower down), Star Magnolia, Dawn Viburnum (so fragrant), Narcissus, and Eastern Redbud.

Late April and the city is like a young person in love, saying it with flowers. No matter where you are– in Central Park looking towards the matchstick skyscraper rising, in Midtown jostling with the pavement crowds, or with your back to the river–there are flowers everywhere. The light is reddish gold and the birds are singing. In the window of the apartment on the opposite side, the fat white cat is smiling at a sunbeam.

People have been in love in far less favorable climes.


*


I looked into his eyes and I knew it then. It was so sudden, but I was sure. So I took him home.

The man pauses and puffs at his cigarette. The traffic inches on. The dogs are busy getting to know each other. For a few seconds the conversation turns to the dogs ‘she is very affectionate, though at first comes off as standoffish’ and ‘he’s adorable, especially when he wakes up in the morning’. Then the lights turn green. The humans nod their goodbyes.

Gripping the leash firmly he and his love at first sight totter away on this fine, fine Spring day.
 *

Cheer, cheer, cheer (sharp, quick)
Birdie, Birdie, Birdie, Birdie (stretched)

Even amidst the noise that returns with Spring (calm silence of winter, where art thou?), the song is unmistakable. Stopping and scanning the barely unfurled leaves above, I spot him: a male Northern Cardinal in his splendid red coat. On this narrow stretch of greenery, disregarding the fast-rising towers on both side and the gawking humans marching in single-file, he is calling out to his mate– do birds fall in love? Of course, science has no answer.

"True love will find you in the end
This is a promise with a catch
Only if you're looking can it find you
'Cause true love is searching too
But how can it recognize you
Unless you step out into the light?"

– Daniel Johnston, "True Love Will Find You in the End"
*
She said she’ll wait for him forever. He was with someone else, probably with a couple of them. You know what it’s like in college. But she told him she’d wait for as long as it took. Till then she had art. All very dramatic. But gosh! The art was so bloody good. I mean there was real potential but…

So what happened?

Oh! She waited for 6 long years. They are together, I suppose married by now…happily and all that. But man, it’s like the well of art has dried up. I don’t think she’s put pencil on paper for the past year or more. Nothing. Man, what a tragedy! A real tragedy!

Silence.

The magnolia tree, over laden with flowers (it would take forever to count them all) murmurs something to the breeze. But I don’t quite catch the words. Small, essential things getting lost in translation.              
*
He KISSED her!

No, he didn’t kiss kiss her. It was more like a peck. A very small one. He said so.

Both boys walk with the confidence that comes naturally to 9-10 year olds. A slight rustle from above makes me look up and I spot a juvenile mourning dove, framed by cherry blossoms, eavesdropping.

“As it has been said:
Love and a cough
cannot be concealed.
Even a small cough.
Even a small love.”
Anne Sexton
*
So you were practically childhood sweethearts!

They are smiling, but their expression says they’ve just been stuck by that idea too. 

Two people sitting at the next table (discussing their Tinder dates…shush don’t tell) suddenly turn and look back, as if somebody has woken them up from a bad dream.

The brunching set is settling down; glasses are clinking and small talk is buzzing. White petals are falling down by the fistfuls, even as new buds are opening.

The 'Bradford' Pear, one of NYC's common street trees, that everybody loves (flowers, flowers, flowers everywhere), and hates (smell of the flowers, invasive etc).
*

The serviceberry flowers are laughing in the sunshine. You have to listen very hard.

Late April and the city is like a young person in love…or at least one pretending to be. But then, as far as pretenses go, being in love, or even thinking of being in love isn’t all that bad, is it? 

“Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is despatched—love for instance—we go on, in an orderly manner, to the next. ” 
 Virginia Woolf, The Waves

Friday, 15 June 2012

Love is not all


Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.

It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.

It well may be. I do not think I would.

Love is not all, a poem by Edna St. Vincent Millay.

A beautiful reading of the poem accompanied by paintings of Edvard Munch is available here.

Friday, 9 March 2012

Light Constant






Last years flowers sit in a mason jar by the desk side. A drop of sunshine falls on the elegant decay and fractures into tiny fragments. For a brief moment in time bits of light get caught between the frail stems and the brittle petals. Everything is subsumed by this burst of light and matter.

It is 1988. Miquel Barceló is in Africa. It is his first trip. In his studio in Mali he is studying light. He is drawing shadows. “The light in the desert is so intense that the things disappear, and the shadows are more intense than the things themselves…What isn’t has more intensity that what is. Because in Africa light isn’t colour. Light is much more stronger than colour. Colour is almost corroded by the light.”* In the night he paints the river. Scratching the paper to obtain the effect of light reflecting from the water. The foam still white in the thick African night.

Barceló is concerned with the passage of time.  The tomatoes, the melon, the skulls, the river, his friends– time spares no one. Each is captured in a state of inevitable transformation. In his studio back home flowers placed in a jar are slowly decomposing over time and the consummate artist doesn’t miss a thing.  Back in Africa the elephants herd is slowly moving towards the river while the skulls in the studio, with their motionless eyes, wait for the sun to go down.

Afterword: Einstein's theory of relativity states time and space aren't as constant as they appear. The only true constant is the speed of light. Time can seem to run faster or slower depending on how high you are, and how fast you are travelling. That's bad news for those who own a penthouse.

*‘The earthly cycles’ by Enrique Juncosa (An essay from Miquel Barceló: works on paper 1979-1999).

You can see Miquel Barceló's art at his fan site here. To see his paintings from Mali click the year 1988 and scroll down the page.

Sunday, 5 February 2012

Monday, 29 August 2011

Tuesday, 14 June 2011

When I paint my masterpiece






















Someday, everything is gonna be diff’rent
When I paint my masterpiece*


Until then I spend hours at an end
watching light play tricks...
And it's not too bad a vocation. Until then.

*When I paint my masterpiece a song by Bob Dylan.

Friday, 3 June 2011

Fade I unto divinity
















"Twould ease – a Butterfly –
Elate – a Bee –
Thou'rt neither –
Neither – thy capacity –

But, Blossom, were I,
I would rather be
Thy moment
Than a Bee's Eternity –

Content of fading
Is enough for me –
Fade I unto divinity –

And Dying – Lifetime –
ample as the Eye –
Her least attention raise on me –

'Twould ease a butterfly a poem by Emily Dickinson.

Thursday, 31 March 2011

I hid myself within my flower






















I hide myself within my flower,
That fading from your Vase,
You, unsuspecting, feel for me–
Almost a loneliness.

I hid myself within my flower a poem by Emily Dickinson